Villa Edur. Eduardo Sourrouille

From: Saturday, 17 January 2009

To: Sunday, 19 April 2009

Place: North Gallery

The house I depict in Villa Edur is my home, as it was (is) my mother's home.

The house I depict in Villa Edur is my home, as it was (is) my mother's home. It is the first legacy I received from her, the most valuable of all her bequests: besides being a home, it is an ongoing project, the driving force in my life and a reflection of my artistic career.

1
In my house, the host receives his guests at the entrance, where newcomers find proof of all the visitors that preceded them. Everything takes place in this zealously staged space, and so each decorative element is selected with the very same care. Objects, costumes and scenery make up, both individually and jointly, a system of symbols alluding to the nature of its own contents.
One by one, the portrait of the person in question confronts his situation within the context that was created for him and which, at the same time, he himself contributed to defining, and whose ghost still lives on. Each portrait determines both a singular identity and the kind of relationship in which at least two individuals interact and this, in turn, is the reflection of a specific experience. Each relationship leaves a visible and definitive mark on the other, like the dent in an aluminium vessel, which reasserts the experience and provides solace (provisionally) as it is the proof of our materiality. The inescapable need to make these marks involves the creation of an entire network of relationships in which friendship, affection, love, fascination, desire, etc. (sometimes mixed up), have a place.
Next to the door, raised on her solid, light shelf, my mother observes us and invites us in.

2
A door leads to the sitting room, a multifunctional and ultimately magical space, an environment in which everything that can be shown to visitors (plus part of what cannot be shown) is put on display. Definitively, the sitting room always offers a precise image of who its owner is and would like to be, of what he deliberately reveals to others and what he cannot prevent from being perceived through the cracks in his subconscious.
For this reason, the sitting room offers visitors a gallery of thirty self-portraits that show them the different people who coexist in me, what they can expect and the extent of the range of choices permitted. From a conceptual viewpoint and in a symbolic manner, these portraits embody different aspects of love and friendship that can be found in me, as in any other individual.

3
Beyond the sitting room lie the private rooms in which intimate, secret processes take place, ceremonies that create individuals and subsequently shape them, mould them and endorse them for the world. In one of these, I share the space with my father because this room is where his offspring receive their legacy through atavistic and recurrent rites - so simple that they scarcely cause pain. In another room, I (at last) dare to make the call I have learnt, the one that I use to invoke the Other, even though in some ways the person I seek is myself. There is anguish and confusion in that call, but also the desire to establish constructive communication, as I also offer myself to the Other so that he might leave his mark on me.

4
The intimate world of each person, in other words, what one does not necessarily confess but what one, nevertheless, has decided to experience, is developed in the most secret room of all. It is also the space reserved for the beauty that one finds by one's own means - as it has not been revealed by any of one's elders - and which therefore will be treasured as the exclusive property of its discoverer.
I live in Villa Edur because all the relationships that crystallise around me also reside there. Every individual harbours a space that he uses as a scenario to display his relationships, his family, lovers, friends, and for life, everything that is deposited with the passing of time, following the structure of his stage machinery. That is the space that is often called home.

Ianko López Ortiz de Artiñano for Eduardo Sourrouille

Villa Edur. Eduardo Sourrouille
North Gallery, from January 17 to April 19, 2009

Villa Edur is a production of ARTIUM (Vitoria-Gasteiz)
Catalogue Villa Edur. Eduardo Sourrouille, with texts by Alberto Martín and Eduardo García

Activities: guided visit with Eduardo Sourrouille (exclusive for associate members, Friday January 16, 7 PM); inauguration (Friday, January 16, 8 PM); Conversations with ... Eduardo Sourrouille (Thursday, January 29, 7 PM); free guided visits

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